XMP1

The XPM1 is a compact DC powered microphone preamplifier offering 50dB of adjustable gain and phantom power.

Designed for project studio recording environments, and boasting excellent technical specifications, the XPM1 is ideal for a wide variety of applications.

With an extremely compact form factor, rugged steel chassis, and high quality components, the XPM1 is sure to provide years of trouble free operation under the most challenging conditions.

The XPM1 features both XLR and TRS jack inputs on the front panel allowing for the connection of all types of microphones. The switchable 12V phantom power facilitates the powering of condenser microphones.

For home/project studio situations - Most home studio PC soundcards simply do not have a microphone preamplifier. If you need to do a microphone recording for a podcast, home video voice over, or any other multimedia task, the XPM1 is perfect for direct connection to the line inputs of your soundcard.

IN5E

The IN5E covers a huge range of applications for use in the home/project studio. It is suitable for mixing various analog audio signals to a high quality recording output channel in high quality low noise analog format. In addition to this, the unit will operate as a versatile monitor mixer providing facilities for up to 12 channels of monitored signal!

Many users will be glad to see the options provided for connectivity. 3 x Bal mic inputs with switchable phantom power, peak lights, and gain control can be found on the front of the unit (3 x inserts available on these channels). An additional 4 x mono (2 x stereo) line level inputs, 1 x stereo Turn-table , CD or Phono inputs with RIAA EQ and level controls are also present. This is great news for DJ's home audiophile users wanting to digitize their vinyl and transfer to the PC!

Q-DI : 4 Channel DI Box with Line Mixer

SM Pro Audio’s compact Value series of audio products has received a major revision in terms of appearance and performance.

Upgraded to include SM Pro Audio’s E-Series circuit design improvements, the Q-DI delivers high quality audio in a stylish compact format.

E-Series circuit design, component selection, and manufacturing offer an additional level of quality to the already successful DI4V.

The unit is housed in a stylish extruded aluminium external chassis that can be rack-mounted using our Q-Rack rack-mount adaptor. Robust connectors are provided for all inputs and outputs.

AUDIO INPUTS:

Connectors 1/4“ jack

Type TRS balanced

Impedance 47k Ohms

Min Sensitivity -20dB

Peak input level +16dB

STEREO LINE MIXER OUTPUTS:

Connectors RCAPhono

Impedance 600Ohms

Max. output level +2dB (peak level +18.5db)

XLR BALANCED OUTPUTS:

Connectors XLR

Type balanced

Min. output impedance 600Ohms

Max. output level 0dB (peak level +18.5dB

DIST, FREQ, S/N RATIO & CROSSTALK:

Frequency response 20Hz~20kHz, 0dB~-2B

Distortion 0.02%

S/N Ratio better than 74dB

Crosstalk rejection >80dB@1kHz;-20dB input

Features:

M-Patch 2

The M-Patch 2 is a compact desktop/rack-mountable sized passive volume attenuator and patch control device. Building on the success of the original M-Patch, the new M-Patch 2 is a feature packed passive problem solver for nearly all production environments. A great way to passively attenuate stereo signals from soundcards, CD players, pre-amps, and mixers, the M-Patch 2 front panel rotary controls allow precise level adjustments for two input sources. Featuring balanced combo XLR/TRS input jacks and XLR outputs, RCA & 3.5mm jack inputs, mono/stereo summing switch, Mute switch, A/B output pairs, and a built in stereo headphone amplifier, the M-Patch 2 has all bases covered.

No more bit loss! One of the benefits of passive volume attenuation is that you no longer have to control volumes with your software master volume fader. Reducing audio levels from software only reduces your bit depth. It is much more appropriate to keep your software masters at unity and passively attenuate the audio to your active monitors.

No active circuitry, buffers, transistors, batteries, or power supply of any kind can interfere with the main passive output of the M-Patch 2. It simply delivers attenuated signal. That's it.. pure, simple transparent.

The M-Patch 2 is a true problem solver. It will work seamlessly within your system, is very transparent and silent. You will now be able to keep your bit levels up in your system, eliminate using your mixer, and keep all volumes at an acceptable level. This is a very handy tool for a wide variety of applications.

You can use M-Patch 2 anywhere you want to trim the amount of gain; ie, reduce the volume of analog audio signals. For example, you could use one to trim the output of a microphone pre-amplifier. With its high-quality potentiometer, the M-Patch 2 passes signal more accurately, and sounds better than most built-in volume controls. Another use might be to trim the levels of a 5.1 or greater multi-channel monitor system -- either one pair of channels, or two, or all of them. You can also use a M-Patch 2 to trim the output level of a Digital to Analog Converter like those found in high end pre-amplifiers. Or as a local volume control for distributed audio systems. The possibilities are endless.